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Bansi Kaul: Rang Bansi!

He is the chronicler of the theatre of clowns, acrobats, painted faces and laughter, writes Aparajita Krishna

Of Fearless Art

Khalid Mohamed in conversation with Bangalore’s iconoclastic artist, Pushpamala N,  famous for her photo-romances o...

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Abdullah Khan of Patna Blues

Aparajita Krishna writes that the debut novel of the 49 year old author born in village Pandari, 40 Kms from Motihari in Bihar...

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Whose Bollywood is it anyway?

Vinta Nanda disagrees with Kangana Ranaut’s rants on national television, which cleverly camouflage political mischief.<...

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Khushwant Singh: Salaam to the Sardaar

Humra Quraishi writes about the many conversations she had with Sardaar Khushwant Singh. 

The second last word

Vinta Nanda writes about the prevailing culture in the business of media and entertainment in India. 

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No Entry: Hazards in staging a theatre play in Mumbai

Khalid Mohamed recounts his peril-fraught, one-off experience in staging ‘Kennedy Bridge’, a play on yesteryear&rs...

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If I were a migrant worker

Vinta Nanda, inspired by a conversation with her friend K’ab, wonders how it would be if we were to be ...

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Rishi Kapoor: He defined ‘Bollywood Art’

 

I write this tribute to Rishi Kapoor. A legend, a hero, the actor unparalleled and a person who was...

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This Mercurial Man Amit Khanna: Man of 2020

I send him a list of questions by mail and request him to take his time to answer them and I also added to my note, that it’ll be great i...

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